What it Takes to Be a Great Coach: Thoughts from Michele Frances

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Photo credit: John Leach

You may recognize the name Michele Frances as one of the trainers who has been working with Erin Ball, who was featured in our last blog. Michele is a multi award winning professional aerial coach & performer, Physical Therapist, Certified Pilates Instructor, and strength training specialist. Last year, she worked as a contract aerial coach for Cirque Du Soleil during the summer Kooza run in Austin, Texas. Michele was also nominated and voted “Best Silks Instructor of The Year” and “Best Silks Choreographer” by Miss Texas Pole Star in 2013 and 2014. Here is some seasoned advice about what it takes to make it as an elite coach.

 

It all started a little over 12 years ago. I had been working as a traveling Physical Therapist in Seattle, WA after moving there from San Francisco. By myself. Suffering from a broken heart (yep, I got dumped), I was doing everything I could to keep myself busy and not dwell. One morning at work a close co-worker at the hospital casually mentioned that she went on a date to a spectacular dinner theater show over the weekend (I believe it was Teatro Zinzanni), and she said: “Michele, I cannot explain it. I just kept thinking of you. You would have loved it. There were dancers on the ceiling swinging around and acrobats. The costumes where amazing”.

Way back then I did not even know what the term “aerial” meant, and I told her “that’s funny because I always wanted to try trapeze!” (visualizing traditional flying trapeze in my head). So, during my lunch break that day I googled “Trapeze lessons Seattle” and found my first aerial coach, Lara Paxton (founder of The Aerialistas & Circus Contraption). I called the number, assuming I would have to wait awhile to sign up but she said, “yeah, just show up tonight”. So I did, and many aspiring aerial students and professionals know this feeling; my life changed forever. I spent countless hours and lots of money learning in that funky old circus warehouse/airplane hanger for years to come. Over the next decade and beyond I traveled the country to learn from coaches at NECCA, Colorado, Chicago and San Francisco. By 2006 I had my own studio space where I offered physical therapy, Pilates and aerial lessons all under one roof. I also taught regular classes at my Seattle aerial home, Versatile Arts. These days-in 2016-you can usually find me teaching classes at my southern aerial home, Sky Candy, as well offering aerial workshops in cities across the United States.

Working as an aerial coach provides the perfect way for me to meld my background in physical therapy, kinesology, neurodynamics, Pilates, and injury prevention with my aerial skills. Having this extensive knowledge base of anatomy, arthrokinematics, and efficiency of movement has allowed me to help my students, and myself to achieve new skills that seemed out of reach. As an aerial coach I’d say my passion can be summed up in a handful of words: empowerment, nuance nerding, humor, and adaption.

Empowerment:

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Photo Credit: Caroline Poe

On a daily basis I witness the empowerment that aerial practice gives students, and it is a privilege to help them reach new goals. I love working with all levels and I specialize in coaching intermediate to advanced/professional students in silks, corde lisse, and single/double point sling.  Having the strength to demonstrate skills in super slow motion, break down explanations for positional engagement, and provide visual/mental metaphors for body position comes from both physical and creative places within myself. These abilities as a coach allows me to customize tools and drills for students to unlock their current limitations.

For one example, I currently have a level 1 silks student who had been struggling with short arm holds for many months when I met her. After 5 weekly sessions during her first series with me, she was able to hold a short arm, hollow body hold for over 10 seconds. She achieved this by working on 4 different ground drills that I had customized for her. The look on her face when she realized that she was still holding after a few seconds was priceless. Being able to empower her with not just a new skill, but also tools to be involved with her own progress is invaluable to us both. Here is an example of a drill that that focuses on the core engagement and shoulder/elbow mechanics that I developed for those students who are struggling with inversions:

https://www.facebook.com/michelefrancesaerial/videos/vb.463870843724275/875151649262857

Many of my students work full time for a living, and some of them have really tough jobs. Aerial classes are their escape, and for some their major social outlet and their source of joy. Watching a student’s demeanor, face and spirit literally change from run down and dragging to sparkling and excited within an hour long lesson is thrilling, infectious and so motivating. It’s like watching a plant that is starved for water and sunlight spring to life. I see aerial as a never-ending process, regardless of level. As a coach and a dedicated life long student I get to enjoy empowering my students and clients, and I get to feel that empowerment myself when reaching those small victories in my own practice. I’m pretty sure this internal feeling of empowerment is how the aerial addiction begins for all of us!

Nuance Nerding:

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Self portrait – Michele Frances

As a physical therapist for over 16 years I am a certifiable anatomy nerd. I coach every single one of my students as if they will be performers. This keeps a tight watch on form, efficiency and technique. I strive to break down every skill and fundamental building block even further down to the fine elements and muscular/joint nuances for engagement and proper position. I’m passionate about approaching everything from fundamentals to high level release skills & dynamic beats piece by piece. Dissecting these details associated with each skill including balance, grip position, rotation engagement, weight transfer and so on enables me to help students unlock where they may be blocked with regards to a new tough skill or transition.

After over a decade of training and teaching this way, I find it not only promotes the best possible form for each student’s current ability, it also makes my students more creative in the long run. This continuous approach has allowed me to find “new” ways of transitioning in and out of otherwise traditional or “old” skills. Focusing on the nuances trains the brain and body about wraps and breaks theory. I spend most days “nerding out” on how different transitions can be created, modified, and even be applied to another apparatus. Nuance nerding is also how I approach aerial choreography. Melting unique transitions from one skill into another and finding dynamic movement from static positions motivates me to create, and breaks me out of what is expected.

Humor:

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Photo credit: John Leach

Even at my seasoned age, I still don’t know much about life, but I can tell you that if someone takes themselves too seriously, they probably will not get too far. Enjoy yourself, and learn to laugh at yourself. Find the funny in everything!! That’s how I HAVE to approach life, because that’s just me. I’m a very serious and picky coach (that’s what I’m paid for). However, my students usually leave with silly mnemonics or visuals for remembering and understanding drills, skills or sequences. I often hear “I’m never going to forget this now” if I offer a funny story, term or visual go to with an instruction. I just took a quick facebook poll today, and many of my current students and others from years past chimed in with the some of the “Michele-emisms” that they still use to remember things like: “napkin ring”, “jackie chan”, “kiss my grits”, “butt plunger”, “milking the cow”, “the tickle”, “no bread loaf”, “Michael Jackson leg”, “candy dish” and so many more. These silly sayings give automatic, clear visuals for physical tasks to everyone involved- even several years later. Humor my friends is effective, and for some as necessary as air.

Adaption:

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Erin Ball

This a very exciting one for me, and I feel like it’s going to be bigger and more popular over the next few years. One of the most rewarding career experiences I have had recently is coaching a student in Canada. Erin Ball is an experienced aerialist who now uses bilateral lower leg prosthetics. She trained in aerial arts and acrobatics for sometime before an unexpected event left her with both of her legs amputated below the knee. Truth is Erin Ball is a ball of fire!! Working with Erin has really given me the chance to blend my physical therapy background with my aerial coaching skills. Helping her go back to some silks skills that she thought she might not do again and teaching her new ones (with and WITHOUT her legs on) has literally brought me to tears with excitement. Adapting an aerial apparatus and approach to accommodate for a physical limitation, age, weight/size, blindness, and more brings me right back to that first word: Empowerment. Being able to empower these students is the best reward as a coach. Adaptive coaching for adults opens a whole new world of possibilities.

To become a Physical Therapist I followed a predetermined career path that I had set out to complete. This path included years of consecutive college courses, clinical internships and national testing exams. Conversely, I never truly set out to become an aerial coach. My interests, skills, passion and abilities led me to it. It is these personal individualities that drive me to add to my tool box, and consistently grow every session. There is no designed program to become a coach. Sure, there are some solid “aerial teacher training” programs that provide entry level teachers the essential foundations for basic skills and spotting; however, it takes years of experience, continued training, and practice in other related fields of movement (fitness, dance, Pilates, therapy) to truly find YOUR own voice as a coach.

Learn more about Michele Frances at her website, MicheleFrances.com

You can also find her on Facebook at: Facebook.com/michele.frances

All photos in this article are of Michele Frances, except the last one of Erin Ball. 

 

Do you know of a great coach who has words of advice to share with us? Send us their name, or perhaps it’s you! We welcome guest blogs on our site. Send us an e-mail at info@aerialdancing.com.

 

NONE to ONE Pull-Up Program: Week 6

This week the theme is GRIP.

As an aerialist, your grip is your safety. If your grip fails you, it could mean the difference between life and death, or any potential danger in between. As such, you don’t just want a strong life grip (more applicable than saying death grip), you want a healthy grip! In this week’s video, I share some tips for maintaining a healthy grip. Continue reading “NONE to ONE Pull-Up Program: Week 6”

4 Secrets of a Successful Studio: Suspend of Louisville, KY

Two like-minded professionals saw the same vision: opening a dedicated aerial space in their town. Meg Johnson Wallace, a University Professor, and Anne Boock Miller, a neuropsychologist, connected four years ago over their common enjoyment of the aerial arts. In March 2015, they decided to co-found Suspend, Louisville’s first and only facility dedicated exclusively to aerial arts and cirque fitness.

suspend studioSuspend opened its doors in June 2015.  For only being open about 9 months, their track record is impressive. They have a packed schedule with over 55 classes supported by 8 instructors and cater to approximately 200 students. These two owners have been busy! They joke that opening night was so good that it explains why Meg coincidentally has been pregnant for 9 months, haha! (She gave birth to a healthy baby boy Osborn Wallace Johnson March 10, 2016.)

The dynamic duo have undoubtedly stumbled found the secrets to a successfully run studio, and they’ve given me permission to share some of them with you.

Number 1: We’re Taking about Smart Leaders

It’s not that they have other careers-It’s that they are smart women! In what she jokingly calls her  “big girl job”, Meg is a professor of Philosophy, with a specialization in metaphysics.

Anne comments of Meg, “I notice that she takes a very discovery oriented approach to teaching. She encourages students to work through problems with the apparatuses, and I think that is why she is drawn most to fabric. She enjoys difficult questions that have difficult and ambiguous answers, and I see that when she performs.”

Anne’s knowledge of the brain translates to how she relates to students. She can work with anyone, of any ability, and it has had a wonderful impact on the culture of the studio. It has even influenced studio policy in indirect ways because she understands how various age groups function.

suspend-main-logoNumber 2: Intentional Choices

There was intentional design behind every decision. Let’s take the logo for example.  When they went to choose a design, it was important to them to choose a design that wasn’t feminine (which is all too easy to do when you are a female designing an inspiring logo.) If you take a look at the Suspend logo, you get the sense that this place is for adults and kids, men and women. And their deliberate choice shows in their student population. They have nearly 50% males in many of their classes. (Most studios across the country are over 90% female in aerial classes. Statistic by observation.)

This kind of intentional decision shows up in every detail of their business, to how they label classes, to the way they advertise. I wish every studio thought about their choices with as much clarity of the end goal as these women have done.

Number 3: Safety 

They spot every person on every apparatus from day one and continue their heavy support through the learning process (lightening up for advanced students when appropriate). Their safety is further bolstered with thick crash mats under every apparatus, on top of gymnastics flooring (which can be rolled back and easily moved around the room).

While I was at the studio, I got the chance to observe a beginning fabric class. Many studios may spot selectively or let people to explore on their own after they have tried on their own so that people get more time on the fabric. At Suspend, 8 students watch their classmates take their turns on one fabric so that each student can individually be guided and spotted. At first, I thought this kind of spotting was excessive because students get so little airtime, but as I kept watching the class, there was a moment where one person started slipping out of their position. The instructor was right there to catch them and everyone watching was learning more about how to move or not move.

suspendBecause Suspend is a heavy-spotting studio, as well as the other choices they have made in setting up their studio, they have attracted people who might not normally fit the mold of who takes aerial. One of my favorite students of theirs was a young girl with Cochlear implants. She was taking class with a young boy with glasses. The young boy asked her what those things on her head were, and her mom explained, “These help her to hear better just like glasses help you see better. In a way, these are like glasses for her ears.” It was such a precious moment to watch. Not only were the children enjoying class, but the parents were right in there, trading off on the hoop as well.

(Notice Anne being her usual encouraging self in the background of the photo! Photo by Kevin Spalding of FotoeWizard.)

Number 4: A Network of Support 

They have an amazing support system. Not only do Meg and Anne have each other to lean on for continual support, but they have highly supportive families supporting them. Meg’s husband is a computer guru and has given the studio support for their website. Anne’s husband is a lawyer. He has contributed his consulting skills, including helping with all the proper permits to be up to city codes, etc.

On Suspend’s website, they describe their classes: “Classes are designed to improve strength, flexibility, focus, balance, and poise in a playful and inspiring atmosphere, which encourages health and community.” These goals have been set and they are reaching them. I have witnessed first-hand the wonderful community that they are growing, and I’m excited to see what happens next for them.

For our Video Library Addition:

Anne taught me a modern dance sequence on the ground. (Note how the picture shows a very classic modern dance movement.) After we learned the sequence on the ground, we took it to the air.

This sequence is BRAINY! It’s done in palindrome style, which Anne came up with. I think of complicated things, but I wouldn’t have ever thought to do a palindrome. Read more about it in the video library. (See New Releases for March.)

Note: a Palindrome is a sequence that mirrors itself like racecar or 3245423. In this case, it’s a movement sequence.

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